'Material to the Event’, in Artist’s Book Yearbook 1996-97 (London: Magpie Press, 1996)
‘The Philosopher-monkey: Learning and the Discordant Harmony of the Faculties’ in Thinking Between Deleuze and Kant, edited by Edward Willatt and Matt Lee (Continuum, 2010)
Review of Jon Clay, Sensation, Contemporary Poetry and Deleuze (Journal of British and Irish Innovative Poetry, 2011)
'The Expressive Tension Between Text and Painting in the Work of Pete Clarke and Robert Sheppard' in The Robert Sheppard Companion, edited by James Byrne and Christopher Madden (Shearsman, 2019)
Individual Books:
French Aster: Crown Shantung (London: Writers Forum,1990)
Untitled Dance Blasphemy (London: RWC, 1991)
Paperwork Enclosed [artist's book - edition of five. Number one placed in the Artists' Books collection at Chelsea School of Art]
Turned Figure (RWC, 1995)
The Four Musicians of Bremen (Writers Forum, 1996)
The Zechstein Sea [individual work] (Ship of Fools, 2005)
Seven Bays of Spirituality (Knives, Forks and Spoons Press, 2011)
There quick thick air (Ship of Fools, 2012)
The Zechstein Sea [selected poems] (Shearsman, 2013)
A SPACE COMPLETELY FILLED WITH MATTER (Veer, 2015)